Elements in John Donne's Poems

For example, the verbalizer asks, "Who is so unspoiled as we? Where none can do / Treason to us, neglect one of us two," (Donne 2). However, these lines also express that even such(prenominal)(prenominal) a great love is vulnerable to treason scarcely only from one or the opposite of the individuals involved.

We chance on a similar questioning of the capabilities of love in The Funeral. In the poesy the verbalizer asks us not to question or injure him much when he is a corpse with a " perspicacious wreath of hair, which crowns [his] arm," (Donne 1). This imprison of hair is a memento of his erotic love. The loudspeaker intends to keep whatsoever recess of his beloved with him in the hereunder in order to always have a part of her with him, "Will will this to control / And keep these limbs, her provinces, from dissolution," (Donne 1). In this look the poem is very similar to The Anniversary in that the speaker appears to be making the case that a memento or piece of a loved one will outlive time and fatality rate.

However, even though the speaker of The Funeral is making such a case, like in The Anniversary there appears to be some doubt over whether or not such is the case in reality. No individual can genuinely know of existence or lack of existence subsequently the death of the body. The speaker suggests that maybe by taking the lock of hair of his unrequited love he will at least symbolize something in the name of love when he is gone. As he states, "Whate'er she meant by it, bury it with me, / For sin

In The Relic, we get a more effectual affirmation of the ability of love to happen time and mortality than we do in The Funeral. Like in The Anniversary, the speaker in The Relic is much more confidant of love's ability to transcend time and mortality. Perhaps this is because in The Funeral the speaker's love seemed to be repudiated by his beloved. In The Relic such is not the case. As with The Anniversary, the speaker in this poem shares a great love with the object glass of his affection.

In fact, the poem discusses a gravedigger's discovery of the couple in their graves in a morbid manner. The poet is hoping the gravedigger will leave their corpses alone, recognizing the powerful embrace of their love within the grave, "Will he not let us alone, / And think that there a loving couple lies, / Who thought that this device might be some way / To make their souls at the last lively day / Meet at this grave, and make a elfin stay," (Donne 1).

ce I am Love's martyr, it might breed idolatry, / If into other hands these relics came," (Donne 1). Such questioning of the ability of love is stronger in this poem than in The Anniversary or The Relic. In The Funeral, the speaker might even be taking the hair with him as some kind of deluded hope of maintaining a union with his beloved in the afterlife, since she appears to have rejected him in this life. As he says to end the poem, "That since you would have none of me, I bury some of you," (Donne 1).

If the lovers are dug up, the speaker hopes they will be carried to a "bishop" or "king" who will make relics of them, monuments to love. We also see an
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