Name: Krystal Spry
Hayao Miyazaki’s animated fantasy feature film, Spirited Away, (2001), presents the audience with legion(predicate) thematic dichotomies through the protagonists’ and supporting characters’ given mannerisms. To be evaluated is Miyazaki’s representation of the oecumenically understood behavioural dichotomy of voraciousness and charity. Excessive desire for power, affection and solid food is the main contortion that has the ability to destroy the beings in Miyazaki’s multidimensional, emotionally charged world. Through cinematic techniques including sound, lighting, and the framing of a shot, an audience drive out see how the universal actions of greed and charity become the drive force behind many catalysts within the film and are exhibited in all of the characters personalities regardless of societal status.
Upon entry into the looking world, ten-year-old Chihiro does not participate in the consummation of the spirits food and she does this on instinct as portrayed throughout the earlier sequence. At 00.08.
17 minutes (fig. 7, Image 2), the mother and father gift the frame to eat, whilst Chihiro remains in the background. At 00.08.23 minutes she thus far remains hesitant (fig.7 image 3). Chihiro is therefore far to a greater extent wary, trusting intuition over the security of her parents, thus avoiding Yubaba’s consequence for greed, which was to turn the parents into the universally symbolic, greedy animal of a pig. Chihiro proves contrary to Yubaba’s initial assumption that she was a “lazy, spoiled, crybaby,” (00.37.47) by repeatedly bowing to others, a common Japanese ethnical symbol for respect or apology and a universal symbol of humility (00.41.19). Her dedication to...If you want to get a full essay, order it on our website: Orderessay
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