Nora\'s Transformation - Child to Adult

The founding famous play, A raspberrys House, by Henrik Ibsen, is refer upon the injustices women faced in society, and more than specifically within their marri get on withs during the 19th century. To portray that era, Ibsens play, focuses on the subordinate role that, Nora Helmer, the primary(prenominal) character, plays compared to that of her husband. Nora, like all wives of the time, lived a life revolving around her husbands. His views, beliefs, and reins, were automatically hers with no argument or second-guessing. From a young age she embraced this role in society. However, as the play progresses and the story evolves, so does she. Over the course of a holiday weekend, and the three acts in the play, Noras character goes from world a doll squirt and doll wife, to a strong, self-sufficient woman. Nora acts childishly in the first gear act, contemplates intensely in the second, and achieves a priceless sense of truth during the finale act of the play.\nIn Act one , Nora tries hard to respect with the social rules to act as a good wife, yield and daughter (Wong). However, in the meantime, Nora shows her rudimentary desire to be an individual, and more importantly her childlike characteristics, threw acts of rebelliousness and carelessness. Torvald, Noras husband, imposes rules for which she is to follow. Instead of organism an adult and addressing her concerns about frankincense rules, she simply breaks them behind his back, as a child is prone to doing. For instance, Nora is forbidden to eat macaroons, still does so any way. When this occurs, Torvald asks her is she has, been nibbling sweets, to which she replies wholeheartedly, No, for sure not/ I should not think of going against your wishes (Ibsen). This feeding of a macaroon portrays her childlike qualities in two separate ways. For one, she surrendered to Torvald by allowing such a thing become a rule in the first place, ultimately showing her lack of square up or desire to carry up for her belie...\n