Theme of Criminal Justice in Spanish Literature

64). Contrast this with the Castilian predilection for genuine luxuries for the wealthy, which resulted in continued inflation and control of the internal Castilian parsimony by foreign interests.

The point is that in economic as well as political matters, in domestic as well as foreign policy, the Arag unmatchedse appear to have been elevated by the kind of flexibility that fosters the institutionalization of power. Thus although the project of institutionalization took to a greater extent decades, Ferdinand of Aragon was comparatively well positioned for it by the time of his marriage to Isabella of Castile in 1469.

Now this did not prevent pouf Alfonso of Portugal, a former ally of Castile, from making a claim to Castile, based on the fact that the King's wife was the daughter of Isabella's late brother henry IV (Lope I.i). The relevance of this background to the issue of justice in feudal and modern Spain is that it was in 1476, the year of the incident at Fuente Ovejuna, that the authority of Aragon was decisively established over Castile and the ultimate concern of the Spanish empire was set.

More will be give tongue to about the difference between the world as fancy by Lope and the world of Spanish history that Fuente Ovejuna is meant to represent. Nevertheless, in Fuente Ovejuna, rival ideas about how the world does or should work ejaculate together in the royal court to be opinionated into a new idea about the world. To see how this is accomplishe

Invoking the names of Ferdinand and Isabella, the villagers protrude the Comendador. But Flores, the Comendador's deputy, appeals to King Ferdinand for justice. At the trial, all the villagers, including some children, insist under overrefinement that "Fuente Ovejuna did it!" (III.225). Later, in audience with Ferdinand, Esteban explains that the Comendador's death was mere justice and in the name of the village swears loyalty to the Spanish cr accept.

[T]he Spanish chase enforced a gendered orthopraxy, establishing and maintaining boundaries for the pursuit of female virtue. . . .

In their lifetimes women had to conform--superficially at least--to social and theological expressions of gender roles, obedience to the commands of their confessors, and fidelity to their own experience of God in prayer--although these demands often came into conflict with one another (Ahlgren, 1995, p. 387).

As God lives now, I shall make received that women

The effect appears to have been that the eclipse in a expressive style defused the opposition between the ideal and the cynical conceptualizations of justice. Indeed, in Fuente Ovejuna large movements are afoot than adherence to the code of chivalry and the entitlements of the magisterial class. When the young Master Calatrava comes to swear fealty to Ferdinand he declares that he "would have served [the villagers] all a bloody lesson / In how to kill Comendadors." Ferdinand's reply: "Not you. / The days when you gave judgments are no more" (III.229).

Put spindles in your belts. Why wear those swords?

The action is straightforward, fast-moving, and shockingly melodramatic. Fuente Ovejuna, an outlying village, is occupied by troops of pro-Portuguese Comendador Don Fernan Gomez, whose agile feudal patron is a 22-year-old nobleman, Master of Calatrava. Sexually demoralise and politically ambitious, the Comendador coerces virtually any peasant girl into what amounts to a private harem. Only Laurencia, daughter of Fuente Ovejuna's mayor Esteban and br
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